Harry rules

Alfonso Cuarón es el heroe de la crítica cinematográfica mundial, solo un ejemplo tomado de Slate:

"Harry Potter and the Prisoner of Azkaban (Warner Bros.). Finally, a Harry Potter adaptation that casts a spell on critics. "Truly wizard," raves Time. "Everything the first two films were not: complex, frightening, nuanced," applauds the Washington Post. Much to everyone's relief, hip Mexican director Alfonso Cuarón (Y Tu Mamá También) has successfully taken over from stodgy Chris Columbus, proving to be J.K. Rowling's "soul mate," says LA Weekly. (Slate's David Edelstein, who suggested Cuarón three years ago, cheekily wonders, "Should I ask for a finder's fee?") Cuarón is "a true romantic," gushes Salon, capturing "not only the books' sense of longing, but their understanding of the way magic underlies the mundane." The real reason for the film's success, says Newsweek, is that "it's about something far more frightening" than "facing Lord Voldemort. It's about being 13." Pubescent wizards Daniel Radcliffe and Emma Watson "dress and sass like modern teens with hormones raging," adds Rolling Stone; "It's irresistible fun watching them grow up onscreen."

El hechizo llegó a ser la mayor taquilla de fin de semana en la historia del cine de Estados Unidos con casi 94 millones de dólares cuenta Reuters. J.K. Rowling, la autora de la saga Potter, ha ganado por regalías del estreno de esta película hasta ahora 1 millón de dólares cuenta The Scotsman. Wow... ¡eso es más que magia!